Maggie Henton

Maggie Henton

Profile

Much of Maggie Henton’s practice is developed in response to specific sites. She is interested in quality of place, and in how places are constructed and inhabited. The form the work takes reflects her response to the site. Working methods include; drawing, stitch, printmaking, photography, video, and installation.

Residencies have formed an important part of her working method, and have provided the stimulus for the development of new ideas and helped expand and inform her choice of materials and processes.

Recently she has make work in response to: museum collections, (including Hasting Museum in 2018); and textile mill buildings and their history (Sunnybank Mill in 2019). During 2020 she researched the 18 and 19 century textile trade and its legacy of mill buildings in Lancashire. Currently she is working on a project concerning poverty and disease in Victorian London.

Her work is represented in numerous public collections.

BLUEPRINTS FOR A FUTURE CITY (detail) | Date: 2019 | Materials: recycled linen and cotton cloth, wood, metal, acrylic paint | Techniques: stitch and construction | Dimensions: variable depending upon installation: 60 cm x 10 cm x 5.7m (maximum)
BLUEPRINTS FOR A FUTURE CITY (detail) | Date: 2019 | Materials: recycled linen and cotton cloth, wood, metal, acrylic paint | Techniques: stitch and construction | Dimensions: variable depending upon installation: 60 cm x 10 cm x 5.7m (maximum)
BLOODLINES: Ghost of Empire (detail) | Date: 2021 | Materials: Installation, consisting of 8 acrylic blocks containing manipulated photographic images layered with tracing paper and stitched with waxed linen and cotton threads | Installation: table top display consisting of: 8 Individual blocks, each 20 x 15 x 3 cm, total length approximately 2.5 metres.
BLOODLINES: Ghost of Empire (detail) | Date: 2021 | Materials: Installation, consisting of 8 acrylic blocks containing manipulated photographic images layered with tracing paper and stitched with waxed linen and cotton threads | Installation: table top display consisting of: 8 Individual blocks, each 20 x 15 x 3 cm, total length approximately 2.5 metres.
HOME - LAND | Date: May 2008 - Bundanon Trust, Australia Installation was made during a residency at the Bundanon Trust. Bark, printed images, leaves, pins, wire, furniture, china, cloth
THE ECONOMY OF FEPAIR | Darn Date: 2012 Medium: Print on papers and silk organza, with stitch Size: 23 x 23 cm Photo: Maggie Henton
SAFE AS HOUSES | Date: 2006 Medium: Digitally manipulated photographs, hand stitched drawings on silk organza, pins Size: The individual elements of the work are pinned to the gallery wall (total dimensions of the piece variable, each panel 22 x 22cm) Photo: Maggie Henton
SAFE AS HOUSES (detail) | Date: 2006 Medium: Digitally manipulated photographs, hand stitched drawings on silk organza, pins Size: (panel 22 x 22cm) Photo credit: Maggie Henton
WINDINGS AND DURATIONS | Date: 2015 Site specific construction for St Augustine's Tower, Hackney, London Medium: Pair of screen-printed and stitched scrolls on paper, wooden rollers and stand Size: 45 x 45 x 200 cm (site specific construction) Photo: Maggie Henton.
WINDINGS AND DURATIONS (detail) | Date: 2015 Site specific construction for St Augustine's Tower, Hackney, London Medium: Pair of screen-printed and stitched scrolls on paper, wooden rollers and stand Size: 45 x 45 x 200 cm (detail) Photo: Maggie Henton